Tag Archives: liturgy

Main Stream Media’s Motu Proprio Improprieties

I’ve been rather hesitant to say anything whatsoever about the recently released motu proprio, Summorum Pontificum, which allows for more liberal use of the Tridentine mass (in its 1962 form). I figured I had little to say that wouldn’t be said by others with greater eloquence. However, in the last few days I’ve read a number of articles that repeat common myths regarding the Roman mass in both its older and newer forms, and they’ve annoyed me sufficiently to provoke me to write (Exhibit A, Exhibit B). Someone may have already written or will write a better correction. If anyone happens upon one, let your fellow readers know by leaving a comment.

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Pride of Place

Readers of Stuff’s post on singing before/during/after communion may find these interesting.

The Mass of Vatican II

[…]In any case, the first use of actuosa participatio, i.e., active participation, referred explicitly and exclusively to the restoration of the congregational singing of Gregorian Chant. In 1928, Pope Pius XI reiterated the point in his Apostolic Letter, Divini Cultus. Nineteen years after that, in the Magna Carta of liturgical reform, Mediator Dei, issued by Pius XII, the same term was used with the same meaning. So until the Second Vatican Council, the term “active participation” referred exclusively to the singing of Gregorian Chant by the people.

Sacramentum Caritatis: Post-Synodal Apostolic Exhortation on the Eucharist as the Source and Summit of the Church’s Life and Mission

42. In the ars celebrandi, liturgical song has a pre-eminent place. (126) Saint Augustine rightly says in a famous sermon that “the new man sings a new song. Singing is an expression of joy and, if we consider the matter, an expression of love” (127). The People of God assembled for the liturgy sings the praises of God. In the course of her two-thousand-year history, the Church has created, and still creates, music and songs which represent a rich patrimony of faith and love. This heritage must not be lost. Certainly as far as the liturgy is concerned, we cannot say that one song is as good as another. Generic improvisation or the introduction of musical genres which fail to respect the meaning of the liturgy should be avoided. As an element of the liturgy, song should be well integrated into the overall celebration (128). Consequently everything – texts, music, execution – ought to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons (129). Finally, while respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed (130) as the chant proper to the Roman liturgy (131).

[…]

62. None of the above observations should cast doubt upon the importance of such large-scale liturgies. I am thinking here particularly of celebrations at international gatherings, which nowadays are held with greater frequency. The most should be made of these occasions. In order to express more clearly the unity and universality of the Church, I wish to endorse the proposal made by the Synod of Bishops, in harmony with the directives of the Second Vatican Council, (182) that, with the exception of the readings, the homily and the prayer of the faithful, it is fitting that such liturgies be celebrated in Latin. Similarly, the better-known prayers (183) of the Church’s tradition should be recited in Latin and, if possible, selections of Gregorian chant should be sung. Speaking more generally, I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant. (184)

Song of Songs

Of all the heavy debates on Catholic Liturgy that seem to cause a threatening snarl and an intimidating stripe of raised hair down the backs of even the most gentle child of God, that on appropriate music is the only one which actually causes yours truly to bite. I am no theologian, nor expert on Church documents. I am, however, a musician and a Catholic. As such, I care enough about this debate to investigate suggestions I find contrary to what I have been taught or have come to believe on my own.

This article from an Australian Catholic newspaper made a few such suggestions that rubbed me the wrong way. Fortunately, the author’s arguments are made based on segments of the General Instruction of the Roman Missal (GIRM), which is easily accessible from the USCCB website. Upon reading the document, I found (as I hope you, the astute reader will, too) much of the article’s conclusions to be taken out of context.

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Suffer the Children

This is a follow-up to an article I’m fairly certain I blogged (but can’t seem to
find). I usually attend masses performed by fathers of the Oratorian Community (of
Saint Philip Neri). This particular oratory caters mostly to college students. When
I go to a parish for mass, I’m appalled by the the misbehavior of the children there
and the lack of discipline exercised by their parents.

Follow-up:
Let the Children Run?

“I received many comments from readers about toddlers running around church (see
May 11). Some of the comments came from parents of large families who confirmed
that it is possible to teach children to be quiet in Church, especially when given
good example by mom and dad.”

Let
the Little Children Run?

And Observations on “Redemptionis Sacramentum”

“ROME, MAY 11, 2004 (Zenit.org).- Answered by Father Edward McNamara, professor of
liturgy at the Regina Apostolorum Pontifical University.”

“Q: Little children frequently run around during the Mass fondly watched by their
parents. Do parents have any responsibility in this regard? — R.C., Bangalore,
India”

“A: This, apparently, is a ubiquitous pastoral problem, and expresses a tension that
is part and parcel of being Catholic.”

Update 03/22/07:The demographics of Sundmay morning mass attendance at the Oratory has changed a lot. There are now several graduate students and young professionals with children attending. That young adults are drawn to the solemn liturgies offered by the Oratorians is a blessing and surely one of the fruits of eucharistic adoration. However, sometimes the children are inconsolable, unruly, and/or fidgety to the point being distruptive. Consequently, since these articles now have more relevance to Oratorians, I’ve decided to move this post up from 05/26/04 so that it gets more readers.