Tag Archives: music

Band of Brothers

Brother is an awesome independent rock band that uses bag pipes and didjeridus. They call themselves “Australian Mongrel Rock”. I call them genius. Anyhow, the following is an open letter from me to all Brother fans.

I’ve noticed a disturbing trend developing in Brother’s internet fan base. Within and between several electronic communities, I have encountered rumors, well-developed cliques, and general bad blood between fellow Brother fans. While to a certain extent this is to be expected in any large, diverse group, the frequency has become such that I feel the need to speak up for myself and others that may felt caught in the middle.

The first point which I would like to address is the bitterness of certain parties caused by perceived favoritism toward the east and west coasts. As others have said before me, the band decided to concentrate on high-paying gigs while they are working on new material. Aside from monetary concerns, they do not have the time to mount a full-scale tour right now. I for one am impressed that they’re playing at all. A lot of bands go on hiatus while in the studio. We’re fortunate to be hearing new songs as they evolve. Furthermore, I feel that some fans (and this is not a problem unique to Brother) have unrealistic expectations for the band-fan relationship. Contrary to popular opinion, they do not owe us anything. We do not own them. We do not control them. We can hope that they continue to care about, listen to, and be grateful to their fans, but we have no right to expect it. Practical limitations aside, the band has no obligation to visit any particular geographic region.

Nor can we dictate the musical directions they take, as it seems some would like to. The members of Brother, or any band for that matter, are real people – individuals with their own hopes, desires, tastes, and aspirations. They have no obligations to maintain a certain sound. Even if they did, we wouldn’t want them to. At least we shouldn’t. Brother, like any good band, needs to grow to remain vital. They need to experiment. We cannot be like parents who force their children to follow a certain career path. They must be free to make mistakes. If they make a bad album, the real fans will stick by them, offer them constructive feedback, and patiently wait for them to pick themselves up and try again. If they don’t grow and change, they’ll get stale. We can’t freeze their progress without destroying that which we wished to preserve. If they stay where they are, they may never find their musical peak. If they hope to improve on the status quo, they have to expand their horizons are risk walking through the occasional creative valley.

Some fans are worried that Brother will sell out and get too big to be close to their fans. If we really care about Brother and want them to succeed, we need to accept growth. We might not have direct access to the fellas forever. This is a sad prospect, but what we would lose in intimacy, we would gain in Brotherhood. This band has a lot of talent and their unique sound stand head and shoulders above the pre-fab teeny-pop and regurgitated, derivative rock. It would be a disservice to music lovers and aspiring musicians to keep Brother to ourselves. We curse the darkness of Top 40 radio, but we try to hide the candle of Brother’s genius. What’s the sense in that?

I know it’s sad to contemplate sharing something wonderful with others. We may feel that by finding something special and unique, we too are special and unique. If Brother became commercially successful, there would almost certainly be legions of fair-weather fans hopping on the band wagon. We worry about being lost in the crowd. Then again, when they’re inducted into the Rock and Roll Hall of Fame, we can say, “I knew them when…” 😉

In conclusion, I want other fans to know that I am not devoid of opinions about Brothers’ future. I hope the rumors about dropping the pipes and didj aren’t true. I hope they avoid major labels as I see them as incompatible with free musical expression. I hope their “harder edge” doesn’t mean they feel the need to be crude or dirty. I hope they make it big. I hope they don’t sell out. More importantly, though, I’m waiting with baited breath for their next album and I’ll stick by them if it sucks.

Sincerely,
Eric Williams
Fan since 1996

Web Radio Lives

Web Music Keeps Streaming–For Now
Music labels, Webcasters reach compromise that won’t kill small online stations with stiff fees.
By Michelle Madigan

“WASHINGTON–After a week of nonstop negotiations, Webcasters and the recording industry have struck a deal designed to keep small Internet radio stations in business.”

Deaf, Dumb, and Blind

Superstars blast file swapping
By Lisa M. Bowman

"Got unauthorized MP3s? Record labels are launching a multimillion-dollar public interest-style ad campaign to make sure you don't."

"On Thursday, a coalition of artists and labels will start running print, radio and TV ads featuring dozens of major recording stars who compare file swapping with stealing."

"The ads, reminiscent of the American Dairy Association's Got Milk or MTV's Rock the Vote campaigns, are designed to shame people out of illegally swapping music. They feature big-name artists such as Madonna, P. Diddy and Sting."

It seems clear to me that these superstars are clueless. I again point to this article.

THE INTERNET DEBACLE – AN ALTERNATIVE VIEW
By Janis Ian

"When I research an article, I normally send 30 or so emails to friends and acquaintances asking for opinions and anecdotes. I usually receive 10-20 in reply. But not so on this subject! I sent 36 emails requesting opinions and facts on free music downloading from the Net. I stated that I planned to adopt the viewpoint of devil's advocate: free Internet downloads are good for the music industry and its artists."

"I've received, to date, over 300 replies, every single one from someone legitimately 'in the music business.' What's more interesting than the emails are the phone calls. I don't know anyone at NARAS (home of the Grammy Awards), and I know Hilary Rosen (head of rhe Recording Industry Association of America, or RIAA) only vaguely. Yet within 24 hours of sending my original email, I'd received two messages from Rosen and four from NARAS requesting that I call to 'discuss the article.'"

Update: Janis Ian wrote a follow-up article.

FALLOUT – a follow up to The Internet Debacle

"Quite frankly, when I spent three months researching and writing The Internet debacle for Performing Songwriter Magazine, I wasn't planning to become part of a 'cause'. I assumed that some of the magazine’s 35,000 subscribers might read it, and a few might email me about it. I’d been writing articles for 'Perfsong' since its inception,and had never gotten more than a couple of emails in response to any of them. So I went into it blind."

"I had no idea that a scant month later, the article would be posted on over 1,000 sites, translated into nine languages, and have been featured on the BBC, in USA Today,and a host of other press."

Forbes vs RIAA

Kick Music Execs While They’re Down
Betsy Schiffman

“NEW YORK – Theoretically, a price-fixing scheme is a surefire way to maintain revenue–even if it is an efficient way to land in jail. But for such a blazingly simple plan, those clever music executives proved that if anyone can screw it up, they can. “